Showing posts with label poem. Show all posts
Showing posts with label poem. Show all posts

2.2.14

Sunday ka Funda

Initially it was only curiosity to watch a group of Americans reminiscent of Woodstock singing Sufi qawwali. As I kept listening, it struck me that it was not merely about breaking the music and culture barrier. It was about being free from the very thought of walls.

The qawwali is an acquired taste, and takes huge amounts of patience. The good thing is that like classical music and dance, if you 'tune in' then you don't need technical knowledge. I must emphasise, and I am being a tad bit defensive, that 'Allah' here could be seen as a superior power, even a superior self.



This poem by Kahlil Gibran is an extension of what I was attempting to say at the beginning:

Have I spoken this day of aught else?
Is not religion all deeds and all reflection,
And that which is neither deed nor reflection, but a wonder and a surprise ever springing in the soul, even while the hands hew the stone or tend the loom?
Who can separate his faith from his actions, or his belief from his occupations?
Who can spread his hours before him, saying, "This for God and this for myself; This for my soul, and this other for my body?"
All your hours are wings that beat through space from self to self.
He who wears his morality but as his best garment were better naked.
The wind and the sun will tear no holes in his skin.
And he who defines his conduct by ethics imprisons his song-bird in a cage.
The freest song comes not through bars and wires.
And he to whom worshipping is a window, to open but also to shut, has not yet visited the house of his soul whose windows are from dawn to dawn.

25.8.10

Iss se pehle ke hum bewafaa ho jaaye....

Two years ago he died on this day. Ahmed Faraz is known for a varied range of poetry. I have chosen this one for two reasons. One is personal. The lectern says 'Holiday Inn'. It was close to his office towards the end of his life, an office he was thrown out from. It was at Holiday Inn that he asked me to join him for lunch and I had to decline. Had to? Do you refuse Faraz? Let us just say I had committed to be elsewhere and I think he would have done the same. The other reason for putting up this video is because he says before reciting that things have not changed much in Pakistan. This was the poem that got him in trouble and he was imprisoned during General Zia ul Haq's regime.

There are a few people who you read and read about and then you meet and it is not the same. With him, his poetry was him and he was his poetry.

Ahmed Faraz reads 'Muhasara' - The Siege


14.2.10

Francesca and Farida


Paulo and she read through Lancelot, and a page was enough for them to know how they felt. It often is instant. Like dust in eyes, though, it can hurt. It did. But, it did not stop them.

Dante further immortalised them in his Divine Comedy:

One day we reading were for our delight
Of Launcelot, how Love did him enthral.
Alone we were and without any fear.

Full many a time our eyes together drew
That reading, and drove the colour from our faces;
But one point only was it that o'ercame us.

When as we read of the much-longed-for smile
Being by such a noble lover kissed,
This one, who ne'er from me shall be divided,

Kissed me upon the mouth all palpitating.
Galeotto was the book and he who wrote it.
That day no farther did we read therein."

And all the while one spirit uttered this,
The other one did weep so, that, for pity,
I swooned away as if I had been dying,

And fell, even as a dead body falls.

(Translated by H.W.Longfellow)

As for Farida, she just sang a song like many others have done. I don’t know what she felt, but despite others having sung it, her version remains with me.

Sajan Laagi Tori Lagan – Farida Khanum

1.5.08

The labours of May Day

Psalm of those who go forth before daylight

The policeman buys shoes slow and careful; the teamster buys gloves slow and careful; they take care of their feet and hands; they live on their feet and hands.

The milkman never argues; he works alone and no one speaks to him; the city is asleep when he is on the job; he puts a bottle on six hundred porches and calls it a day's work; he climbs two hundred wooden stairways; two horses are company for him; he never argues.

The rolling-mill men and the sheet-steel men are brothers of cinders; they empty cinders out of their shoes after the day's work; they ask their wives to fix burnt holes in the knees of their trousers; their necks and ears are covered with a smut; they scour their necks and ears; they are brothers of cinders.

Carl Sandburg

- - -

The concept of labour invariably involves adults. When I do mention children working in the streets, I am accused of romanticising child labour; I and many others do know the reality is different in many parts of our subcontinent.

Several years ago I was asked to present a paper on Human Rights and the Child at a seminar organised by the Indian chapter of Amnesty International. I must admit that I did not think I was qualified; the organisers thought differently. I typed out the manuscript interspersing facts with opinion. It was a pretty clear-cut and sharp picture I recreated.

That morning I made my way to the University Campus; the other speakers were all somebodies, in that they had done extensive work in the areas they were to speak on – law, trade unions, academics; I was the only novice, so to say. The one advantage I had was that many in the room had read me…and disliked me!

Copies of our papers were distributed to the panellists. Mine was the only one that did not have footnotes.

I was to speak in the afternoon session. There was a break for lunch and some people came up with their dessert plates to tell me they had gone through my paper. This was rather unfair. Reading it was then a mere formality; they were already armed with queries. It was a bit queasy.

I did the ahem-ahem authoritative cough routine and decided to alter the beginning: “By the time you finished your lunch X number of children have died”. At least one smirk was wiped out.

What surprised me was the nature of questioning: “Your paper is very good, but why have you not provided solutions?”

No one else was asked this and no one had provided solutions. Which is why trade unions exist and there are constant battles for wages, working conditions and a lot else.

Did I have a reply for them? I merely said I had no answers but I asked the right questions.

And I believe...

"He saw that men who worked hard, and earned their scanty bread with lives of labour, were cheerful and happy; and that to the most ignorant, the sweet face of Nature was a never-failing source of cheerfulness and joy. He saw those who had been delicately nurtured, and tenderly brought up, cheerful under privations, and superior to suffering, that would have crushed many of a rougher grain, because they bore within their own bosoms the materials of happiness, contentment, and peace. He saw that women, the tenderest and most fragile of all God's creatures, were the oftenest superior to sorrow, adversity, and distress; and he saw that it was because they bore, in their own hearts, an inexhaustible well-spring of affection and devotion. Above all, he saw that men like himself, who snarled at the mirth and cheerfulness of others, were the foulest weeds on the fair surface of the earth; and setting all the good of the world against the evil, he came to the conclusion that it was a very decent and respectable sort of world after all."

- Charles Dickens, The Pickwick Papers

- - -

Image: This picture I took in Varanasi.

15.4.07

Worship: Kurt Vonnegut

Worship

I don’t know about you, but I practice a disorganized religion.

I belong to an unholy disorder.
We call ourselves, “Our Lady of Perpetual Astonishment.”
You may have seen us praying for love on sidewalks
outside the better eating establishments
in all kinds of weather.
Blow us a kiss upon arriving or departing,
and we will climax simultaneously.
It can be quite a scene,
especially if it is raining cats and dogs

Kurt Vonnegut died on April 11. This is a previous unpublished poem.