Return to light...

Lights greeted him upon his return after a 14-year exile. If we do not see the symbolism of epics and mythology, then what use are they?

Diwali surely is not only about a well-lit Ayodhya welcoming Lord Rama.

The light conveys coming out of darkness, of the warmth from diyas, of flames dancing in the wind, conveying evanescence. And the oil and the wick that stay in the background to light up things and are then burned out themselves.

Yet, light is never far away.

It is said that some raagas are so potent they can create and destroy. Legend has it that when Tansen used to sing in the emperor's court, the room would be filled with light. I think the power of such light is within us.

"Curving back within myself I create again & again."
- Bhagvad Gita

A Happy Diwali!

Ageism as monstrosity

Why is old age fit enough to be a Halloween costume? Heidi Klum chose to dress up as one for the annual party. As Jezebel reported, "She's honestly unrecognizable — look at the fake veins on her legs and hands. She must be wearing fake skin over her skin, like a festive version of Necromancer pants."

These pants are made of human skin. We won't go there now, but Halloween is supposed to commemorate the dead, martyrs and loved ones who have left. What message does this 'costume' convey? To begin with, it does not look like a costume. It is realistic. It makes it appear that the end is near for old age, and the body must be ravaged and sag and wrinkle.

As an international supermodel who has seen a lot of cosmetic intervention around her, Heidi ought to know that this is not how old age always looks. I am not against the fact that this could be the natural consequence, and there is nothing to be squeamish about it. But for Halloween — when everybody wants to do a make-believe? Had she chosen a gothic version, it would have been more than fine. This, however, is eerily reminiscent of the real, and it does not appear to be granted the respect it deserves.

There seems to be a whole attitude towards ageism that props up not just the Botox industry, but more damagingly the thought process. Youth, irrespective of maturity, is seen as the final authority, the mantle-wearers, the shining knights and primped up goddesses.

Had these fake veins been real they'd hurt like hell. Fantasy reduces them to a caricature.

© Farzana Versey

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I had written about how Halloween made me Somebody Else

Saturday Snapshots

A quick weekend roundup of what made news and what it means.

The Tehreek-i-Taliban chief Hakeemullah Mehsud has been killed in a drone attack. Liberal Pakistanis are jubilating that at last a drone has hit the right guy. (How often did they point out the wrong targets?) The problem is that they do not even try to put pressure on their government to deal with such men. I'd like to know how the Americans manage to get it right this time. If they are capable of good targeting, why is it that so many civilians have been killed? Was this a chance encounter that gives them enough ammo to live on before their exit from Afghanistan? (Incidentally, Mehsud has been 'killed' before, too.)

And then there is Imran Khan. His tragedy is that every time somebody from TTP dies or is killed Pakistanis start mourning for his political career. They don't even realise what an unhealthy obsession it is. But, then, he is a few words away, unlike dealing with the real McTalibs.

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Just got news that Rohit Sharma has scored a double century in the ODI against Australia.

Due to too much hoopla, I've lost interest in cricket. But seriously, scoring over 200 in a one-day match is like cooking biryani is a microwave oven.

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Lata Mangeshkar has declared:

"Narendrabhai is like my brother. All of us want to see him become the Prime Minister. On the auspicious occasion of Diwali, I hope our wishes would come true."

Surely, Lataji cannot speak on behalf of all Indians. She is using a religious festival and has done what amounts to campaigning for Modi. We are aware of the family's leanings towards the Hindutva ideology and its support for the Shiv Sena in Mumbai. We also know how she made a noise about the proposed flyover on Peddar Road only because it would affect her. (She resides there.) Such political interference is not new, and when she was not getting an assurance she sulked and threatened to leave the city. Her sister Asha Bhosle spoke of moving to Dubai, which happens to be convenient because she owns a restaurant chain in the UAE as well as other Arab countries and London.

Wonder why Lataji has not sought a haven in Gujarat.

Meanwhile, Modi's reaction was amusing:

"With their (Mangeshkar family) divine voices, delighted crores of people making them stress-free with music and making their minds and bodies healthy."

PS: My views on Lataji predate Modi's appearance on the political scene.

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No comments:

Michael Fassbender is fed-up with everyone obsessing over his penis.

"It wouldn't be acceptable, it would be seen as sexual harassment, people saying (to an actress), 'Your vagina...' You know?"

Mr. KPS Gill, did the police tutor Modi on the action-reaction theory?

The fact that the Modi camp rejoices over a few statements by a tainted former deputy general of police reveals the desperation to get a "clean chit".

In May 2002, KPS Gill was called in as security advisor to Narendra Modi. On October 31, 2013, over eleven years later, he says the Gujarat Chief Minister cannot be held responsible for the post-Godhra riots.

His reasoning:

"In law and order situations, it is the police leadership which has to respond and not the political leadership."

It happened to be the anniversary of the anti-Sikh riots when he said this, so it sounds particularly unfortunate. For, then, people like Sajjan Kumar and Jagdish Tytler, who have been tried for their role in the 1984 riots, would also be seen as blameless.

Why should Home Minister Sushil Kumar Shinde, or even Bihar CM Nitish Kumar, be made answerable for the recent Patna blasts, prior and during Modi's rally? After all, they constitute the political leadership.

Why question Akhilesh Yadav and Mulayam Singh for what happened in Muzaffarnagar?

When protestors are beaten with lathis and tear gas shells are used, why does the police force not take responsibility? Why does the matter reach the political leaders, including the President?

KPS Gill has got to have answers to these allied queries, for he cannot be selective.

He was appointed by Modi as security advisor, which is a political process and position, to an extent. It was three months after the riots. What did he do? Whose responsibility are compensations, rehabilitation? Who should visit the refugee camps?

"I realised that people of all political parties who were anti-Modi and anti-BJP were taking advantage of this mayhem and making all efforts to defame Modi one way or the other."

There is no denying that political parties always come in to take advantage, and the BJP is no exception. Could Mr. Gill explain how exactly does defamation of Modi take away his lack of intervention? The fact is that the matter did not end with the "mayhem" (interesting choice of word).

The report further states:

He charged the policemen and the administration had become communal after the incident in Godhra and Mr Modi, who had just become the chief Minister, did not have proper grip over the state machinery...he said that after taking charge as the security advisor of the state, he had visited all places where violence had taken place and policemen from top to bottom refuted having received any direction of the type being mentioned.

• The police deal with communal issues on a routine basis. They are not supposed to be communally prejudiced. The manner in which Gill is running down the Force is rather surprising.

• If Modi did not have a grip on the state, how does it matter? Why did he start using his remote powers? Don't they go against the former DGP's own thesis that it is not a political issue?

• There was much that happened soon after the riots, including the transfer of senior police officers. So, if the police leadership has to take responsibility, why were they shunted out? Would they not stand up for what they did? They did not transfer themselves, right?

Those cases are documented and the cops have served/are serving sentences.

• If they did not get any directions, why has no senior cop from Gujarat come out and said so in clear terms about the murders, the destruction of property, the encounter killings?

And why did Narendra Modi speak about action-reaction at the very beginning? Was he tutored by the cops?

There is a limit to the whitewash job.

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Speaking of KPS Gill, even a whitewash job by him is not really capable of cleaning. He has, after all, served a sentence himself.

In 1989, he was charged for sexual harassment with 90 IAS officers signing the petition.

Rupan Deol Bajaj, an IAS officer herself, had persisted with the case and later said:

"Gill was convicted of sexual harassment charges by the Supreme Court and it's high time the government withdrew the Padma Shri award it gave him."

It is important to understand the mindset of such a man before taking his clean chit at face value.

End note:

"The rank and file of the Punjab police force feared him. I cannot say that they respected him. He was very supportive of his subordinates as long as they co-operated in achieving his goals. Even delinquents and evil-doers were tolerated if their actions fitted into his grand designs."

- Julio Ribeiro, who inducted Gill in the operations in Punjab


© Farzana Versey

Ornamental messages: The Tanishq ad

A measure of how 'backward' a society is to see how it portrays progressiveness. If you need to pat someone for what is considered normal, then it only means you do not view it as quite normal.

The new Tanishq ad for its wedding collection shows what is being touted as a dusky woman, and a mother, getting married. This is supposed to be about breaking of taboos regarding colour and remarriage. In reality it is so bloody self-conscious, besides of course being elitist.

All those who look down upon television soaps should know that these aspects have been handled in them, and quite sensitively at that. There was one recent serial 'Na Bole Tum Na Maine Kuchch Kaha' where a mother of two remarries, and if it means anything she was dusky too. And at no point was it alluded to.

This commercial is about jewellery, and therefore the message too is ornamental. To posit the woman's duskiness we have a fair groom, which amounts to seeking the acceptance of the acceptable. When her daughter says she wants to go 'round and round' the fire when the marriage vows are being taken, it is the man who carries her, his role as knight and proactive partner consolidated.

Don't bother to see this in the light of some great reformist movement. Corporate India that deals with so-called modern sensibilities has played safe by using a religious ceremony, the male as being 'fair' to society, and of course the possibility of such progressive thinking being the prerogative of a few who can afford luxury and by default the luxury of ostensibly going against the norm.

Once again, the 'revolt' has been appropriated.

Bare lies

Would you expect a biology teacher who also takes a geography class to explain mountains and oceans in biology terminology? Or a writer of horror stories to pen a children's novel using the same language? Why then expect an adult film actress to necessarily go topless for a film of a different genre?

As the report states:

Ironic as it may sound, actress Sunny Leone, who is known for her porn films in the US, recently refused to go topless for a scene in her upcoming horror flick.

Why is it ironic? What she does, or did, in a related field was the demands of her work. She has joined Bollywood with different dreams, or else she would have continued in her old job. I have never heard her run down or give a sob story about her past profession, but it is only fair to let her make her choices.

There are other mainstream actors who do agree because of the 'demands of the script' and then go around sounding conservative or, worse, as victims of the industry. However, male actors like John Abraham or Ranbir Kapoor who have flashed their butt can go around citing this as their USP.

Sunny sees the cinema she is doing now differently, as she has every right to do. We are such hypocrites. Many will watch her adult stuff, but run her down and expect her to perform as per type. She finally gave that shot in a bikini.

However, a source has been quoted as saying:

"Though she was allowed to shoot wearing a top, it was later removed using computer graphics. Her breasts were then digitally superimposed from one of her earlier films."

I do not know how she has reacted, but it is a sneaky and unethical thing to do.

It is okay:

If she did not want to physically perform the scene, but has no issues with the portrayal.

It is not okay:

If this was done without her consent and defeats the purpose of her not wanting to even be seen bared.

In very old films, actresses wore flesh-coloured body clothes beneath their flounces and feathers. This included those who made short appearances in cabaret numbers. In some cases body doubles have been used for intimate scenes. They were aware that the audience would be unaware of the 'deceit' and would perceive it as their skin, so why did they do so? Simply because of the discomfort of performing such scenes with a crowd of lightmen, spotboys and others around.

In Sunny's case, the filmmakers think this is her territory anyway, so why the chariness? I have one question for these directors: they shoot such scenes often — are they expected to only direct such scenes and nothing else? And do they identify with these in their personal lives?

© Farzana Versey

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Also: Of porn and pawns

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Image: Sunny Leone with Naseerudding Shah and Sachin Joshi in the forthcoming 'Jackpot'

Sunday ka Funda

This is not an obituary. Manna Dey has appeared on these pages in several forms, and twice to emphasise how it took him to reach the age of 90 for the government and the film industry to confer any recognition.

In a recent editorial in The Times of India, the headline called him the Amadeus of India. Not only is there no connection, but even in a tribute we need to compare one who gave so much to Indian music.

I know almost all his major songs, and am partial to his semi-classical songs. I have earlier mentioned that I felt "Pyaar hua iqraar hua" was the triumph of music directors Shanker-Jaikishen and not so much Manna da. I still think so. I have returned to his peppy numbers or the songs from 'Chori Chori' that he sang for Raj Kapoor because Mukesh was apparently not available. He was the second choice, although he was a trained, and in many ways, more accomplished singer.

This is, therefore, about the nature of what we call 'playback singing'. Raj Kapoor often said that Mukesh was his soul, and he did a stupendous job of it. Manna Dey had joked that he was always given songs that were picturised on beggars and boatmen.

Part of it is that despite his classical base, his low notes were brilliant. Unlike Talat Mehmood, there was no quiver in his voice, but there was a quiet, excellently expressed in his tribute to the Mohammad Rafi number in 'Pyaasa': Yeh kooche, yeh neelam ghar... It is unfair to include this here, but it reveals two facets of a song, as well as immense bonding in what could have been rivalry.*

For today, because I have been listening to this in a loop, I choose 'Phir koi phool khila, chaahat na kaho usko...". The scene from 'Anubhav' is a humdrum existence of a married couple where a bud flowering is not seen as some grand love, as the lyrics suggest.

And then there are these lines:

man ka samundar pyaasa hua, kyon kisi se maange dua
laharon ka laga jo mela, toofan na kaho usko

Essentially, why pray to anyone as the mind's sea thirsts and just because waves pile up it does not forebode a storm...

This is less detachment and more the beauty of now.



Manna Dey. A life, a sea.